![]() ![]() It's just that the K12 is so much more efficient with the same power. They tend to lose imaging (perhaps because of the broad dispersion) and they get upset at lower spl than the K12, reminding you that they don't like being pushed, with a slightly honky tone. The string pads are fine and you can hold down some B3 cords but the piano sounds a bit plinky and the moog doesn't cut. If I take just one to rehearsal with the very loud band, I expect to be washed out a bit that day. I wouldn't really recommend them for a very loud band unless the ergonomics are right, even as a pair. I'd use the K8's anytime for jazz gigs, folk, pretty much anything, except. Since K8s don't have the ability to act as wedges, I've been using mini-stands for this application and the stands work quite well. ![]() I've used sometimes one and sometimes two K8s as monitors in a very loud band and in a moderately loud band. They have a broader dispersion, which works well for smaller rooms. They are a tad brighter than the K12 and they don't carry much of the muddy frequencies so they are pretty good for vocals. ![]()
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